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“Buy a pair from Primark for a £1, take them to Specsavers. She likes to buy sunglasses and put prescription lenses in them as the designs are so much wilder. Her glasses are also bright red, huge and angular like twin set squares. She raps her nails – long, curved, beige with a scarlet underside on the table. So, yeah, I’ll be nervous, I’ll be excited, I’ll have to poop, I’ll be adrenalised, like every other theatre kid. Is she nervous about making her West End debut, aged 50? “Well, I was texting Patti Lupone, if I can name drop for a second and she said to me, ‘it’s amazing that the nerves never go away.’ And that means we care. ‘I’m such a drag queen – the nails, the hair, the eyeliner, the lashes, the everything’
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Along with Bernadette, Chita and, um, Bette. There’s Madonna in the pop world – and Patti in the theatre world. Patti LuPone is my queen, make no mistake about it. There’s times when I can’t remember what I had for lunch…” The other day she went to see Company in the theatre down the road. “I’m really proud of myself, because I can’t remember shit. It has been a quick turnaround with only two weeks of rehearsals. “When she opened her mouth to sing, she had the most fantastic voice,” Nica Burns, the show’s producer, says. “I came in and did my thing and they literally offered it to me right there on the spot,” she says proudly. She auditioned for it, just like in the old days. So Everybody’s Talking About Jamie is a homecoming of sorts. It led to various other pop projects – including a cover of “Lovely Day” which ended up on the soundtrack of The Bodyguard – and eventually television. When he said he already had one, she said, “but you don’t have me”). A year later, she joined a girl band called Seduction ( She got an audition by calling up the manager and telling him, “you need a white girl for this group”. She got her first job in “I Remember Mama” aged 13, won $500 in a Madonna lookalike competition aged 16 and aged 18 went to study musical theatre in New York. Musical theatre, though, is her “ultimate love”. Think Cruella de Vil mixed with the bitch Craig Revel Horwood wishes he was.
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When you have such a connection with something, there has to be an explanation’īritish viewers will know Visage from seven series of RuPaul’s Drag Race (and its various spin-offs) where she is Ru’s right hand woman, a ballsy, busty fixture on the judging panel, doling out catty one-liners (“I’m finding it hard to believe that this is your best drag…”), sassy finger wags and cackles (“Ha ha HAAAA!”) to all comers. In other countries I feel like a fish out of water and I don’t in the UK.” “There’s a sense of peace and serenity that I get here that I don’t get in the United States. When you have such a connection with something, there has to be an explanation. One hundred per cent.” As a straight, white, American woman why does she think that? “You just figure things out. In another life, I was a gay, black, British man. I always feel like there’s an otherworldly connection.
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She first came to the UK when she was 13 years old. Michelle Visage on ‘RuPaul’s Drag Race’ Season 10 with Ross Mathews, RuPaul, Carson Kressley and Christina Aguilera.
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Today she is wearing a Harry Potter sweatshirt – “Primark! My husband said, ‘Is that a snitch on your boob?’” – with black leggings and pink leopard-print UGG boots from which two matching lightning bolt tattoos poke out and zip up the back of her calves.
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She loves the cities, the accents (“I hear even subtle differences between Lancashire and Yorkshire”), the culture, and especially the tv (“I watch Towie. The main thing on her side, besides her charisma, uniqueness, nerve and talent, is that Visage loves Britain, to the point of obsession.